There are some moments in history that you really wish you were there for. And there is a particular day back in 1956, in a small room with a few men that is one of those days for me. It was a day when the music gods smiled and placed four legends in the same room, at the same time, where they did what musicians do and had some fun playing together.
Sam Phillip’s legendary Sun Studio played host to this moment, on a day when Carl Perkins was in recording an album (that was to include ‘Blue Suede Shoes’), when Elvis Presley dropped by. Jerry Lee Lewis was also there as a session musician waiting for a chance to show off his killer piano boogie styling; the moment was completed by the entrance of none other than Johnny Cash.
In a moment of serendipity and foresight, someone thought to switch on the recording equipment as these legends jammed together, giving us a chance to hear the one and only time these four men ever played together. And it was magical.
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The Ultimate Jam Session, produced by Bold Jack Productions, is your chance to relive this historic moment in all its goosebump inducing, heart stopping glory. Fronted by James Blundell, Dave Larkin, Nick Barker and Ezra Lee, backed up and held together by the versatile Sun Studio Trio – Dave Folley, Steve Hadley and Shannon Bourne. These lads put together are pure joy. Last Friday night I had to opportunity to sit front and centre as the boys kicked off their show with a bang. Now this isn’t your ‘tribute’ style of show replete with stereo typical costumes and bad wigs, but just unadulterated, first class Rock n Roll. They keep it simple, tight and let the music speak for itself. They shake you to your core with riffs that move your body, vocals that make women swoon and men holler.
As I sat there watching tendrils of smoke curl in the spotlight and listening to my passion come to life, my heart was in my mouth. Like that rush of adrenaline and endorphins that hit you on the first date with a big crush. And it didn’t subside, not for one second.
But it is more than just great music, it is a journey to a musician’s heart. Behind the big names, behind the hype, behind the screaming fans; just four brilliant men playing up and playing around, letting themselves enjoy the music for the music’s sake.
It was The Day the Music Lived.
Come backstage and meet the men behind the show.
What a night!
Posing around with Ezra Lee and hearing all about his upcoming trip to Vegas to play with Jerry Lee Lewis. Go Ezra!
The show will be playing all over Melbourne and Australia regionally, before getting set for an even bigger season. You can find out when and where the next show is playing on The Ultimate Rock n Roll Jam Session Facebook page.
*Yes, I recorded this in six inch heels, with my little hand held camera in the near dark of stage side, trying not to get too distracted by lilting voices and sultry eye.. so bare with me – it’s just like being there!*
Some days are unforgettable. Unforgettable in the sense that you know you’ll be talking about them for years to come and that little snippets of that moment will colour decisions you make in the future. Last Thursday was one of those days.
Thanks to Nuffnang and Federation Square, I was given the opportunity to experience the Tim Burton Exhibition at ACMI. When they emailed to ask if I’d like to go, my response was only one word; “yes!” followed by many gratuitous exclamation marks. Since my very first Beetlejuice Burton moment, I’ve been hooked on the colour, the style, the twisted carnival sensibilities of his productions.
So I raced around prepping up for the big night and (sadly) can only tell you what I wore as the greatest tragedy of the evening was only to be discovered the next day. Alicia and I had the unique opportunity to photograph some of the exhibition including posing with our favourite pieces, only to find that every single image was corrupted on the card! (One of those moments when you want to stab yourself in the eye with a fork.) So for those of you that care, I wore a black and charcoal striped hobble skirt over a tightly laced corset, black silk chiffon blouse and a midnight blue velvet tailcoat with silver buttons. Please engage imagination here.
Arriving at Federation Square as dusk becomes dark was an experience to behold. The pink cobbled pavement wends beneath your heels and carries you into the centre . There are students sitting close, chatting in plumes of smoke. Suit clad lads laughing over beer as a tall blonde flicks her hair and takes their order. A crowd begins to gather in the shadow on the big screen with lap rugs and steaming coffee in paper cups, awaiting the upcoming streaming of Tim Burton’s Materslass. During Winter they are hosting a Solar Equation; a huge representation of a glowing pulsing sun, hovering in the darkness. I stood beneath it feeling like an extra in Dr. Who and wondering at the instant sense of community it created, as a crowd gathered beneath to take pictures and talk about the warm orange glow. I even videoed a little bit Fed Square Solar Equation
I had a quick jaunt around the ACMI store prior to meeting our chaperone, and found some serious reasons to take your credit card along, as they had a fantastic collection of Burton books and toys including Oyster Boy and Stainboy!
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Upon meeting our delightful ACMI host we were invited to one of the most coveted and thrilling highlights of the exhibition – The Masterclass with Tim Burton! I don’t think I’ve ever sat so close to the edge of my seat for a full hour and a half. It was a moment where I tried to force my brain into record mode and hung on to every word, in spite of the waves of goose bumps threatening to topple me from my chair.
Heading into the exhibition in a haze of post-Burton chat honeymoon, gave the whole experience the sense of the historical and I knew then that this was something I’d never forget. Descending the stair case in a wash of scarlet lights, I turned to see one of the first things that had my heart in a handgrip. The full sized garden topiary from Edward Scissor hands. I was glad to be there in company and half dark or otherwise the tear that sprang to my eye would have made it into a complete stream. For me, Edward Scissor Hands was a particularly powerful film, so to come face to face with such a stunning and beautiful symbol was almost a bit much. However, being the professional I am, I composed myself and went about the business of taking it all in so I can tell you about it now.
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I don’t wish to spoil the magic of the exhibition so I won’t tell you all the surprises and highlights, but I have to tell you that there is something so extraordinarily inspiring about this exhibition. Seeing the evolution not only of Tim’s work, but of the man himself- his life, his journey both emotionally and professionally, leaves you wanting to sketch till daybreak. You don’t need to have an artistic bone in your body to appreciate Tim’s work, he’ll provide plenty of bones for you! (Ha!) It is music, song, touch, tears, dreams and nightmares. It is all those parts of yourself that exist to give you a unique sense of self, and as such you’ll each take something different away from your experience.
Overwhelmingly, the first thing I wanted to do was arrange a date to take my daughters back to see it for themselves. At nearly three and just turned six, they already appreciate the humour, the dark and light, the love and tragedy of a Burton film. (Nightmare before Christmas gets great airplay at my house). It may be difficult to stop them from wanting to touch and feel, but the pay off in feeding their imaginations and letting them walk into a living fantasy is too great to deny them that opportunity.
To top off this amazing experience was a moment in which many of you will kick me over. Actually meeting Tim Burton and having not one memorable thing to say! I don’t often have fan girl moments, but this was something else. Other than saying something like, “I’m honoured”, was about as far as I got, as my brain lit up like a firecracker at the momentousness of it all. In fact, I am going in again tomorrow! I took a little video snippet inside the Burton club to share with you, (it seems to be the only image of mine that survived!)
Both ACMI and MoMa have done such an outstanding job putting this exhibition together that you MUST go and see it. And like I said on Twitter, even if you have to sell a kidney to get there – go and see this! After all, that would be a rather Burton-esque way to do it!
Awesome stuff-
Do you want to go to ACMI and see the Tim Burton Exhibition for yourself? Of course you do!!
I have 2 for 1 passes to give away! Just leave me a comment telling me why you need to go and see this for yourself – the best entries will get a 2 for 1 pass. ( Open to Australian Residents only)
I believe that all the best stories have a sound track and without music, life is only a life half lived. Yet, until now I’ve had to contend with playing my sound track in my head at most times as I moved from place to place, inside outside, in the car etc.. Then someone came home with a Sonos. I hadn’t even heard of these brand new fangled inventions, but I knew someone would get their act together and figure it out one of these days. So what is it? Without being a big promo for Sonos, (as I really don’t know or understand all the tech details) it is basically a wireless speaker system that I can move to any room in my house, my garden my porch.. etc.. and keep on adding speakers without having to wire anything in!
So now when I choose a soundtrack for my day it follows me everywhere! The whole thing is driven by my central music catalogue kept on my iPhone, so even if I leave the house and drive away I can still keep on listening and keep the same groove. Anyway, this means I am falling in love all over again with my favorite artists and getting goosebumps over new ones.
So what am I listening to this week? Quite a lot of the amazing Johny Cash and his back catalogue. His website actually has a radio station that is all Johnny all the time (which I’m listening to as I type this). I’m also listening to the soundtrack to Walk The Line, which has become a staple for my drive time I just can’t get enough of that one.
I’m also getting goosebumps over the music (and moves) of Nick Willett who I was privileged to see perform live at Wintersun. I cannot tell you what an experience that was. Nick is one man that could have stepped directly out of your favorite 50’s rock ‘n roll movie – A voice that rolls over you in waves, moves that should be illegal and a first class gentleman.
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Ms Carly and I snapped having a word with Mr. Nick Willett
I’m also very eagerly awaiting the first full album release of our very own (that is Victorian) Scotty Baker, as his fantastic music and highly amusing lyrics have been stuck in my head for the last two weeks. But until then I have to content myself with his singles.. Go here and listen to Scotty Baker - he’s full of awesome! (And he’s also seriously stylish!)
The Re Chords are also particularly fantastic and are Melbourne based too!
Check them out here.
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Anyway, what has become abundantly clear is that I need to update my music catalogue with a whole lot of new stuff , (particularly each and every band I saw perform at Wintersun and will link you to as soon as I can) so even though I’m no music reviewer I’ll be telling you about which sound track is playing in my life at any one time. A word of warning though, it may be classic Rock n Roll, it may be new local Rockabilly or just as likely, a little bit of mad J-Pop! Just like my wardrobe, my music is all about what moves me that day – so let’s see if we can give your day a new soundtrack too.
I have a confession to make. While I was in Japan I discovered the local obsession with Nail Art, and I am smitten. Usually I have a very strong aversion to anything that purports to be nail art, as it conjurers up images of some rappers girlfriend waving lethal talons around slapping me down for my lack of pizazz. But the Japanese version of nail art was all together different. While many of the techniques and supplies remain the same the outcome is something sparkly, cute and innocent.
Usually my nails are simply clear coated, as although I love a red nail, the manicure just doesn’t stand up to my lifestyle. But Japanese style nails just might. The trend is to cut off your own nails and replace them with glass like press ons. Rather than working with a French Manicure or a coloured base, one of the most popular styles works with this clear base and uses sparing adornment to create a sort of Cinderella look. The 3D nail art I found was just delightful. I know that there are lots of cons to this sort of work, but I think it is just so pretty!
So am I just having a moment of bad judgment, or do you see the kitschy cute value I do? Either way, I’m off to paint my nails with glitter and stars.
Further reading on the subject if it takes your fancy.
She Finds asks – Trendy or Tacky? Buzzfeed gives you more pictures videos and links
I was going to bring you the 200th post competition winners today, but alas, I am still laid up in bed feeling sick. As such, there will be no barrel girl antics today for I couldn’t possibly present the winner without all the appropriate to do. So instead I’m going to give you a peak into my inspiration for the extensive shopping list I managed to build from my sick bed whilst trawling Ebay. Oh dear, health hazards on so many levels.
I apologise for the lack of image credits and links, but in my addled state, I forgot to record their origins. Still, I am feeling quite pleased as I made one major discovery today. Now for those of you in the know please don’t laugh, but I’ve only just discovered that the decorating style I have been lusting after and finding impossible to describe actually has a name! Hollywood Regency. Oh, that makes it SO much easier in these days of Google. Well, what is in my head is a little more over the top than this, (surprise surprise) perhaps I can coin a new term as I move towards Hollywood Georgian? I have been dreaming of large sweeping rooms decked out in satins and velvets, floors you can dance on, and bedrooms to swoon in. All rather like the extravagant set of a 1930’s Hollywood blockbuster. Mind you, I’m not entirely sure how any of this will work with the architecture of my home, but still, a girl can dream. If you are in the mood to gorge yourself on some serious style, head over to Design Public, for the most comprehensive list of links and an exceptional description of just what Hollywood Regency is.
In fact, it seems that there is one woman who would be perfect for decorating my home. (Once again almost all Americans will have heard of her, or anyone with an ounce of decorator aspirations) Dorothy Draper. While the lady herself is no longer with us, she has left an indelible mark on the decorating landscape. Behold her creations.
I have been living in my somewhat disassembled bedroom now for a number of months and my indecision is beginning to depress me. I have my new lighting installed, but that is almost the extent of the renovations so far. The walls have been stripped and a looking rather sad in their underwear. I have paint chips taped to the wall while I make colour decisions. But for the last month I was set on a vivid green, now I am tending towards a deep Wedgewood blue. It is so much easier to change a dress than repaint a wall when your mood changes. And this leads me to another epiphany I had today. I now know why I love these interior styles so much. Not only do they evoke romantic notions of the life one will live in them, but they require a certain style to live in them. Can you imagine sleeping in an old t-shirt in this sort of bedroom? Would Madame ever be seen lounging around wearing a tracksuit in such a divine living room? I think not. Just like buying a Chanel dress, buys you a piece of the dream, I think that is why I so dearly want these rooms. I only hope that should I achieve them, I can live up to their expectations.
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