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Archive for the ‘interviews’ Category

My long time readers may remember a while back when I had the honour of modelling for a genuine Australian fashion legend; couturier Robert Friztlaff, at a retrospective of his work by the National Trust.  His designs are impeccable, his taste flawless and his constructions exceptional. I was thrilled when Robert asked me to be his house model for this segment on ABC Arts Nation – Golden Years segment. Robert is a true gentleman and such a pleasure to work with. Watch and enjoy this look into Melbourne Vintage Fashion from the designer himself – Robert Fritzlaff.

candicebannerfinalswirl 300x68 Designs on Melbournes Golden Years  Meeting Robert Fritzlaff

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On Saturday I had the privilege of spending some time with Celebrity Stylist Gok Wan on his Australian Westfield Tour. Here to launch the new Westfield body shape calculator, and encourage women to explore their personalities through style; Gok took a moment out to chat with me about some of my pressing style questions.

My obvious love of lingerie comes through in this interview, and I was particularly interested to chat with Gok about that topic as he has his own line of shape wear that does larger sizes beautifully. Check it out at Simply Gok Wan.

There were a few other things we chatted about off camera, like our favourite vintage reproduction labels, (he loves Diva and Vivien of Holloway) and even what pomade he uses in his hair, (I recommended Atomic Life). There was so much we could have stayed and talked about, but it was a refreshing moment to chat to a fashion industry insider who is just as passionate as I am about the beauty on the inside being given every opportunity to shine without. Amazing work Gok, keep giving women what we need!

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I’m so excited to have this interview and feature in my hands I couldn’t wait to bring it to you. I ‘met’ Eddy Crosby via Twitter. A fantastic illustrator with a super cool retro bent that fits perfectly with my aesthetic. In fact, as it happened whilst I was drooling over Eddy’s awesome work, he was breaking out his pencils and sketching me! How flattered was I when this landed in my inbox?

 

sketchbook candice01 350x262 The Super Cool Work of Eddy Crobsy!

 

 

sketchbook candice02 350x262 The Super Cool Work of Eddy Crobsy!

 

sketchbook candice03 350x262 The Super Cool Work of Eddy Crobsy!

 

sketchbook candice04 350x262 The Super Cool Work of Eddy Crobsy!

 

final candice01 262x350 The Super Cool Work of Eddy Crobsy!

 

And now.. I’d like you to meet Eddy!….

You’ve been drawing since childhood, do you remember the first thing produced that made you proud?
Oh yes. For that I have to take you back to mid-1970′s England and high school. I was about 13 years old. The whole class had to stay indoors due to the weather so to kill time I decided to continue a drawing I had begun in art class. It was a portrait of boxer, waist up, his hands held in a defensive pose with huge boxing gloves.
It was the first drawing I had attempted on grey paper and used a white pencil to add highlights. (That was a revelation!). I remember feeling really satisfied with it because it had turned way better than expected. What really surprised me was the reaction of everyone else. I was surrounded by half the class watching me draw and saying how much they like it. This was the first time I experience such an immediate and positive reaction.
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Did your time at university help you better develop your skills as an artist or was it more of a distraction from what you wanted to be doing?
Looking back, studying art and design in college and then university was the best thing for me. I was pretty raw going into the course. I still had no idea of what an illustrator did or that you could make a living drawing pictures. At that stage, all I knew was I was doing something i didn’t completely suck at!
I think art school developed my skills as an artist in two ways. Firstly, computers were still a few years off. Learning was grounded in age old skills from drawing the figure to making linocuts. When you create with your hands you realise the importance of having a process and being patience. You think twice about committing a brushstroke since there is no undo. I bring this mindset when I create art today either on the computer or traditionally. I love computers but it’s just a tool and a means to an end.
Secondly, art college was a great way to meet kindred souls. An illustrators life after college can be isolating. Most of us work solo in a home studio with little contact with other artists. College forces you into a hot house environment. You learn not only by practice but by looking over another artist’s shoulder. You can ask why did they chose that colour or what’s their method of drawing a hand? You also get instant feedback on your own work. I met peers who not only had shared the same love of drawing and painting as I did but were also far better at it than me. That’s a great way to develop your skills.
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What is it about retro styles that you are so attracted to in your imagery?
I grew up in the 1960′s and 1970′s. On TV I watched shows like Captain Scarlet, Belle and Sebastian, Marine Boy and Dr Who. Collected Matchbox cars, played with toy robots like Zeroids and Major Matt Mason, built Airfix model kits, read Marvel comics and saw Godzilla at the movies. All this rich imagery went into my eyeballs and firmly implanted itself in my brain. It’s just such a rich source for inspiration.
I am drawn to that exaggerated very stylised look. You see it in 1950′s cars where the designs are just beautiful for their own sake. Always amazed by the colour palettes from the more refined colours of the 1950′s to the garishness of the 1970′s cartoons.
Love that look women had in the 1960′s. The bouffant hairstyle, long eyelashes and the hour glass figure. You can’t look at ladies like Tura Satana, Chelo Alonso and Dany Carrel and not want to draw them! There is a sense of fun, playfulness and fantasy that is missing nowadays.
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Other than the visual, where else do you find inspiration in your daily life?
Fiction, music (particularly movie soundtracks), odd newspapers articles, interviews, podcasts, quotations, bits of over heard conversation, just observing people and copious amounts of tea.
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If you could have any subject living or dead, sit for you, who would it be and why?
Evel Knievel in his white star spangled jumpsuit with matching cape. To me, he always had a regal, aristocratic air that I would love to capture. I am not sure if he would be a good sitter but I would definitely want him on a throne.
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Where can people see and / or buy your artwork in the flesh?
My online portfolio is at http://www.eddycrosby.com/
From there you can get to my Face Book page, Flickr site and Twitter feed. Over the past few years I have been selling my paintings into local art shows. I have a few unsold pieces so if anyone would like see them please contact me. What I want to do next is offer quality art prints of my work.
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What’s next for Eddy Crosby, retro artist extraordinare?
Definitely want to spend more time working traditionally (acrylics on canvas) and produce a group of paintings I am really happy with. I am also interested in developing my storytelling skills. Maybe creating a character and their whole world for a comic or picture book.
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Want to see more of Eddy’s super cool work? Check out his spaces here:

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Last weekend I had the pleasure of spending some time with Micheline Pitt of Pinup Girl Clothing fame.  Not only is she a gorgeous model, but she’s a very talented makeup artist and graphic artist as well. Triple threat right there!  I took some time to chat and compare notes with Micheline after watching her work on fellow blogger and plus sized model Teer Wayde.

 Candice DeVille and Micheline Pitt Greazefest 2011 Meet Micheline Pitt   Pinup Model, Artist and Makeup Professional

Candice - Hi Micheline, it’s been a pleasure to watch you work today. You were saying during your session that you never officially trained as a hair & makeup artisit. How did you start working in this field, was it trial and error?

Micheline- Well, pretty much I looked at myself and realised I could be doing a better job of my own hair and makeup, so I went out there and got any kind of eductional material I could get. The Kevin Aucon books, those really kind of helped me get to the core of those things I didn’t really get. I worked on my friends and I worked at a hair salon actually, and that’s where I got my start doing makeup for people, weddings and events. I had to use crappy makeup for it, so I had to hone my skills that way.

I really learned the most on myself then my friends.  When I moved to New York city and worked with MAC up there, I really got into the eduction system they had, (or used to have, it was really amazing).

C- You mentioned that your training in fine arts really helped you develop your makeup skills. Are there any specific rules that you’ve taken from your art back ground and applied to the makeup as theory?

M- I rarely ever use black to shade anything. I like using colour to give more depth and blendability. I like using multiple shades, like on someone’s cheeks to really give that definition. Almost like a painting; doing that with the skin, using different hues, having opalescent powders and stuff to give the skin like a blue or gold hue -that I really enjoy and it changes it up slightly.

So I think I definelty play with colour theory a lot.

C- You said that everyday your look takes an hour and a half minimum to achieve, so for people that say have a maximum of 20 minutes, half an hour to get ready, what are the keys things you’d say to them you must have?

M- The keys are foundation, concealer, powder, blush mascara lipgloss and then like a brow pencil.  Something to give you definition, even out your skin tone and give you a little colour. Put something on your lips and mascara makes a huge difference. I usually go for more a black brown when I don’t have eye makeup on because black is way too harsh.  If I don’t have time to do my hair, I’ll put it in a bandana or a scarf and pull it back and then maybe just fix my bangs.  So there is ways to menouvere around it, but when you want to wear your hair down or in a style you’ve got to make that committment for time and sometimes you just don’t have it. Scarves are my best friend when I’m lazy.

 micheline pitt and teer wayde Meet Micheline Pitt   Pinup Model, Artist and Makeup Professional

C- It seems to us too, that the pinup scene here is Australia is very different to the USA, as it is in the UK.  Since you’ve been here a few days now, what major differences have you noticed?

M- Well I see that there is definelty a lack of availability of real vintage here and I get that feel from talking to other people  so it’s really hard. I see a lot more girls wearing reproduction which is great becuase there is some many great reproduction brands out there.  They’re also mixing it with other pieces to kind of make it their own.  I feel like the style here is way more colourful and creative than it is in the States. It tends to be a little bit more purist there as far as things go and I feel like the girls here a bit more creative with the styles and the things that they’ll mix and their colour palettes.  Girls are way more bold with their style.

As far as the hair, I’ve noticed a lot of girls here with red hair! It seems to be a big thing this year because back in the States I noticed a lot of red hair too – that’s the thing now – red hair.

 

C- With the work that you’re doing with Pnup Girl Clothing and that whole scene, have you noticed that there is a a strong difference between say Classic pinup and more of the Neo Pinup?

 

M- Well I own purist products and I own reproduction. I kinda mix it up depending on how I feel that day.  To draw a line in the sand and say you have to be one or the other is really no way to go about it.  You know one day you could wear normal jeans and a little top, maybe a flower in your hair, and the next day maybe you want to wear high waisted jeans and like a vintage top or something. I like to mix it up personally, it’s hard to get real vintage. It also doesn’t necissarily fit the way you want it to.

It’s great with reproduction companies, especially with Pinup Girl Clothing, because I’m the Production Manager there, I really work on the fit and consistency of our products. Really making it fit and making it last and wear well is the most important things. Becasue we have so many different brands we offer a diverse selection for girls.  Our things cater for being a bit more sexy and girly than other brands that tend to go for the more 40′s, and I hate to say it, but a bit more ‘Matronly’ look. I like to cover my boobs too… but there’s a difference.

Things that fit the figure is the biggest thing.

C- Talking about fit and figure I kow there has been a lot of pressure of Pinup Girl Clothing to do more plus sized pieces, what are your thoughts on where you cut that of?

M- We used to do 3X and 4X before I even worked there, and the stuff just sat there, it took forever to sell.  The proof is in the pudding- girls can ask for it all they want but are they going to buy it? And that’s what it comes down to. We are dipping our toe in 3X and 4X, and if they buy it, awesome; but we are not going to change the cut and style of our dresses to fit different body types.

C- It seems that that is they only way to go about it. You can’t take a dress that you’re making in a sample size and just keep upsizing that rather than looking at what’s the foundation of f the body type that you’re trying to dress.

 

M – If you have a good grader it helps but changing the cut and style and fit of a dress isn’t somethng that we are going to be able to do becasue a lot of them are empire waist cuts for curver girls, but they are afraid of their figure. They are afraid  of tight fitting dresses. And that’s something they have to get away from. Just because you’re plus sized doesn’t mean that you can’t be sexy and wear something tht’s form fitting, cause a lot of times these loose fitting dresses make them look bigger and that’s what we’re trying to teach them about. Spanx are your best friend – even thin girls wear them!

We all have different body types and dressing for your shape is the most important thing. Everybody can have an hourglass figure, no matter what size you are. It’s all about making it look the way you need it to look.

Candice DeVlle and Micheline Pitt Meet Micheline Pitt   Pinup Model, Artist and Makeup Professional

C- Shopping options for us here in Australia are much more limited than in the States, so many of us spend  big part of our budget online. Other than shopping with Pinup Girl Clothing, do you have any favourite online stores?

 

M- Freddies of Pinewood in the UK. Their jeans are amazing! I love their jeanas, I love their crop tops. The quality is amazing and the style is really cool – that’s my favourite palce to shop online.  Another place that I shop on line is, well eBay is my best friend and of course eBay ship to Australia.  I’m so married to Pinup Girl; it’s my baby and working there with the team and Laura who’s the owner and head designer, it’s hard to stray away from that becasue I get to make what I love.

C- They’ve clearly put a lot of effort into the product development. Every single piece I’ve bought from them has been bang on. Seaming quality; where they know it’s going to be under duress…

M- And we have all of our own custom patterns and fabrics.  We spend a lot of time developing them. I drew one in the computer for two years to get it perfect and it’s launching this fall finally.

C- Just lastly, for aspiring Australan Pinup Girls, what is the number one piece of advice you’d give them?

M- Good hair and makeup, good photographer. That’s the grounds of becoming a good pinup girls and putting yourself out there.  Without those things it doesn’t matter how pretty you are, how perfect you are, if you don’t have those no-one is going to look good. Make sure you have a good photographer, make sure you have a great hair and makeup artist that is going to do you up; and make sure you have the right clothes that fit you well and make you feel sexy.

The best way to get that perfect picture is to practice in the mrror. Making those expressions and face and learning that when someone says “sexy!”, that you make the right face. Or  I need you to be intense, or I need you to smile. Having that ability to pull that out when they ask that of you is what makes a good model.

C- It really is a craft isn’t it. Not just about getting out there and smiling.

M- It is. It takes a lot of practice, tht’s the biggest thing.

C- Thank you so much for taking with us today, it has been an absolute pleasure.

M- Thank you! I love Australia, it’s so cool and thank you!

candicebannerfinalswirl 300x68 Meet Micheline Pitt   Pinup Model, Artist and Makeup Professional

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candice devilles living room Talking About Loving Vintage in Australia

My Vintage Living Room

Last week I was honoured to join the renowned fashion writer Maggie Alderson and my local vintage clothing guru Nicole Jenkins, in a panel discussion on Paul Barclay’s show Australia Talks on ABC Radio National. While for many of you, like me, we are so immersed in vintage culture that we often forget that for the mainstream consumer, this influence is only a recent development.

Having been a treasure hunter and collector for the most part of my life, I’m one of the fortunate few who have amassed a collection of vintage paraphernalia before this recent trend took hold, pushing many pieces out of our reach financially.  But before the advent of this wonderful thing we like to call the World Wide Web, finding others who shared the passion only really occurred when at swap meets, or when I got chatting to antique store owners and ladies at the CWA.  Now, we’ve become a world wide community of crazy people obsessed with beautiful old things. Their collection, display, restoration and all consuming pursuit. What a wonderful thing it is.

It is because of this amazing community that we have the chance to share our stories, to have someone who understands the rush of finding that missing coffee canister to your Nallyware set. (N.B: I’m still looking for one of those…) It is this community that opens up a whole new world of treasure hunting possibilities as we trade 1930′s girdles across the Pacific, and trade those heartbreaking stories of love and loss.

While there is indeed a strong commercial element to the new ‘Vintage’ craze, (the bastardisation of the term simply for profiteering boils my blood) there is a silver lining. You won’t find me in high end vintage furniture stores eyeing off labels and forking over a months salary for something that is, at present, the height of chic. But you will find me, tape measure in hand, rummaging through boxes at a car boot sale in the country. You’ll find me with a dust mask and bug spray at the clearing of an old warehouse. And you’ll most certainly find me always up for a cup of tea and a chat to discuss the merits of a little old hand knit.

And that is why, oceans apart, Maggie, Nicole and myself all knew a kindred spirit when we heard one. Just as I recall dressing in my grandmothers knee high, hook and eye red suede boots as a 12 year old girl; I could imagine Maggie doing just the same and knew at that moment, exactly the measure of her passion.

It is these moments when you talk with someone, or when you leave me comments to tell me the stories of your finds and treasures, that bring to light that special warmth that is to be found in marvellous vintage. A pleasure shared in a pleasured double, and even though we now compete with many more for our special finds, I like to look at it as if our neighbourhood is growing. Fancy popping over for that cup of tea now?

candicebannerfinalswirl 300x68 Talking About Loving Vintage in Australia

To listen to Candice DeVille, Maggie Alderson and Nicole Jenkins on ABC Radio National talking vintage, just follow the link to the official podcast. Or you can download the podcast to listen to later here.

pixel Talking About Loving Vintage in Australia

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Sunday Feburary 26th 2012

Take 2 Markets SALE! – Northcote Town Hall, 189 High St Northcote.

10am – 3pm

SALE! I’m clearing out the closet and will be here selling off some of my favourite modern pieces!

March 23-25th 2012

Love Vintage Fair – Sydney

Vintage Style workshops – details coming soon!

April 27-29th 2012

Love Vintage Fair – Canberra

Vintage Style workshops – details coming soon!

May 4-7th – QLD 2012

Garterbelts & Gasoline festival at Mt Tambourine Queensland

Miss Chrissy’s High Tea & Vintage Tour – Some Fancy Ladies™ appearances.

May 18th -20th – VIC 2012

The Love Vintage Fair – Melbourne

Vintage Style workshops – details coming soon!

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