I’m so excited to have this interview and feature in my hands I couldn’t wait to bring it to you. I ‘met’ Eddy Crosby via Twitter. A fantastic illustrator with a super cool retro bent that fits perfectly with my aesthetic. In fact, as it happened whilst I was drooling over Eddy’s awesome work, he was breaking out his pencils and sketching me! How flattered was I when this landed in my inbox?





And now.. I’d like you to meet Eddy!….
You’ve been drawing since childhood, do you remember the first thing produced that made you proud?
Oh yes. For that I have to take you back to mid-1970′s England and high school. I was about 13 years old. The whole class had to stay indoors due to the weather so to kill time I decided to continue a drawing I had begun in art class. It was a portrait of boxer, waist up, his hands held in a defensive pose with huge boxing gloves.
It was the first drawing I had attempted on grey paper and used a white pencil to add highlights. (That was a revelation!). I remember feeling really satisfied with it because it had turned way better than expected. What really surprised me was the reaction of everyone else. I was surrounded by half the class watching me draw and saying how much they like it. This was the first time I experience such an immediate and positive reaction.
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Did your time at university help you better develop your skills as an artist or was it more of a distraction from what you wanted to be doing?
Looking back, studying art and design in college and then university was the best thing for me. I was pretty raw going into the course. I still had no idea of what an illustrator did or that you could make a living drawing pictures. At that stage, all I knew was I was doing something i didn’t completely suck at!
I think art school developed my skills as an artist in two ways. Firstly, computers were still a few years off. Learning was grounded in age old skills from drawing the figure to making linocuts. When you create with your hands you realise the importance of having a process and being patience. You think twice about committing a brushstroke since there is no undo. I bring this mindset when I create art today either on the computer or traditionally. I love computers but it’s just a tool and a means to an end.
Secondly, art college was a great way to meet kindred souls. An illustrators life after college can be isolating. Most of us work solo in a home studio with little contact with other artists. College forces you into a hot house environment. You learn not only by practice but by looking over another artist’s shoulder. You can ask why did they chose that colour or what’s their method of drawing a hand? You also get instant feedback on your own work. I met peers who not only had shared the same love of drawing and painting as I did but were also far better at it than me. That’s a great way to develop your skills.
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What is it about retro styles that you are so attracted to in your imagery?
I grew up in the 1960′s and 1970′s. On TV I watched shows like Captain Scarlet, Belle and Sebastian, Marine Boy and Dr Who. Collected Matchbox cars, played with toy robots like Zeroids and Major Matt Mason, built Airfix model kits, read Marvel comics and saw Godzilla at the movies. All this rich imagery went into my eyeballs and firmly implanted itself in my brain. It’s just such a rich source for inspiration.
I am drawn to that exaggerated very stylised look. You see it in 1950′s cars where the designs are just beautiful for their own sake. Always amazed by the colour palettes from the more refined colours of the 1950′s to the garishness of the 1970′s cartoons.
Love that look women had in the 1960′s. The bouffant hairstyle, long eyelashes and the hour glass figure. You can’t look at ladies like Tura Satana, Chelo Alonso and Dany Carrel and not want to draw them! There is a sense of fun, playfulness and fantasy that is missing nowadays.
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Other than the visual, where else do you find inspiration in your daily life?
Fiction, music (particularly movie soundtracks), odd newspapers articles, interviews, podcasts, quotations, bits of over heard conversation, just observing people and copious amounts of tea.
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If you could have any subject living or dead, sit for you, who would it be and why?
Evel Knievel in his white star spangled jumpsuit with matching cape. To me, he always had a regal, aristocratic air that I would love to capture. I am not sure if he would be a good sitter but I would definitely want him on a throne.
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Where can people see and / or buy your artwork in the flesh?
From there you can get to my Face Book page, Flickr site and Twitter feed. Over the past few years I have been selling my paintings into local art shows. I have a few unsold pieces so if anyone would like see them please contact me. What I want to do next is offer quality art prints of my work.
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What’s next for Eddy Crosby, retro artist extraordinare?
Definitely want to spend more time working traditionally (acrylics on canvas) and produce a group of paintings I am really happy with. I am also interested in developing my storytelling skills. Maybe creating a character and their whole world for a comic or picture book.
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Want to see more of Eddy’s super cool work? Check out his spaces here:
